plays

The Prophet

by

Russell Heller

219 E. 28th St., Apt. 4D

New York, NY 10016

917/375-7431 - russheller@yahoo.com - www.russheller.com

WGA #974464


BLACK

PHILIP (v.o.)

The second I got out there in the open I knew I shouldn't have gone.  Went?  Gone.

 

- DESERT                              DAY

PHILIP, 23-28, not dressed for the desert faces out towards a wide depressing, dirt colored desert.  We see him from behind, then:

CUT TO:

PHILIP's face as he passively surveys the desert.

CUT TO:

PHILIP walking, his feet pushing down into the sand.

PHILIP (v.o.)

I'd imagined the desert as some sort of glowing hum of golden sand with carts set up selling locusts and honey.  Maybe I had to be in the Negev for that.  I saw lots of those tumbleweeds, though…

CUT TO:

Tumbleweed lazily drags across the screen.

PHILIP (v.o.)

Warner Brothers wasn't lying about those.

CUT TO:

Tumbleweed is spliced with a cartoon tumbleweed, a la the desert in Wile E. Coyote Cartoons and continues off the screen.

CUT TO:

PHILIP, in profile, walking across dirt, rock and sand.

PHILIP (v.o.)

I was very excited when I found my first oasis.

CUT TO:

Oasis, ringed with weeds and reeds, a little scummy.  Water, looking like a mini-swamp, is of indeterminate depth.

CUT TO:

PHILIP walking on past oasis, leaving tracks in the sand.

PHILIP (v.o.)

A bit unimpressed by my first mirage.

CUT TO:

Puddle of water on the sand.  PHILIP looking down at it skeptically.  He reaches down and scoops up a handful of sand and pours it back to the ground.  Looks around passively.

CUT TO:

C.O. PHILIP looking left and right passively.

PHILIP (v.o.)

I never should've left the road.

BLACK

 

- DESERT                              NIGHT    

PHILIP sleeping on sand and rocks at night.

VOICE (SHARIF)

Hey!  Wake up Man!

PHILIP looks up to see an Arab that looks like the great Omar Sharif.

PHILIP

Urrr….?

OMAR SHARIF

Are you lost?

PHILIP

I don't think so.

OMAR SHARIF

Then what the hell are you doing out on the desert?  Get the hell out of here!

PHILIP

You seem a little upset.

OMAR SHARIF

Yeah, I had compassion for the second, I didn't think you were some idiot dehydrating for fun.  Drink some water.

PHILIP

I don't know if I want it.

OMAR SHARIF

Drink the water or I bury you in the sand.

PHILIP drinks.

OMAR SHARIF

Now, where are you trying to go?

PHILIP

Nowhere in particular.

OMAR SHARIF

Okay, where are you going now that I am going to bury you in the sand if you don't come up with something better than that?

PHILIP

…East.

OMAR SHARIF

There isn't anything to the East.

PHILIP

Good.

OMAR SHARIF

Now I think about clubbing you on the head and dragging you to the closest gas station.

PHILIP

Go ahead.

OMAR SHARIF

Look Man, are you suicidal?  You're talking some pretty dumb shit.

PHILIP

No.

OMAR SHARIF

Why are you here?

PHILIP

I don't really want to think about that right now.

OMAR SHARIF

No, Man, I'm asking you how you got here.

PHILIP

My car overheated.

OMAR SHARIF

And you walked out here instead of calling for the tow truck?

PHILIP

…yes.

OMAR SHARIF

Man, they shouldn't let people like you go around unsupervised.

- DESERT                              MORNING    

OMAR SHARIF is pointing the way for PHILIP to walk, unbeknownst to PHILIP he is pointing back north.

OMAR SHARIF

Now, you walk that way, you'll find what you want.

CUT TO:

PHILIP walking back across the desert.

 

- DESERT                              NOON         

PHILIP (v.o.)

Things looked familiar.

CUT TO:

The Oasis.  From the opposite side, PHILIP's back as he looks at it.

PHILIP sits on the edge of the water.  His face has a slight sunburn.  A man (CAL) appears in the distance, coming from the West.  The man is sandy and dirty, 30-35 Caucasian, an Ad Exec type.  CAL falls about 20 yards from the oasis and crawls to the edge, leaving tracks behind him back to where we first glimpsed him.  PHILIP doesn't move.  CAL looks at PHILIP briefly before cupping his hands and drinking. CAL chokes and coughs some of the water up, then drinks more and rubs his face with it, then his hair, then he pulls himself forward until he's submerged.  Presumably, the water is deeper than we thought.  Silence, the ripples die away.  PHILIP watches the spot where the man disappeared.  After a minute a reed pierces the surface of the water and water spouts out of it.  Time passes.  The reed retracts.  CAL's head emerges from the water.

CAL

Which way is the road?

PHILIP points to the north.

CAL

I was way off.

CAL and PHILIP look north.

 

- DESERT                         AFTERNOON

CAL dries off on the sand; Philip hasn't moved, he is more sunburned.  CAL turns his head towards and addresses PHILIP.

CAL

Plane.

PHILIP looks at him.

CAL

Plane crashed, little Cessna.  Crashed at night.  Guess I'd gone farther than I thought.  Name's Cal.

PHILIP keeps looking at him.

CAL

I took off from El Paso.  I guess I ran out of gas somewheres south of Lordsburg.  I thought I was west of it.

PHILIP keeps looking at him.  Philip looks at the tracks he's made in the sand on his progress toward the Oasis.

CAL

Can't keep my head on straight.  Shouldn't trust that fuel gauge.

CAL plucks up a handful of the weeds around the oasis and stuffs them in his mouth, he chews them for a long time, cups some water in one hand and pours it into his mouth then, with a little difficulty, swallows it all.

PHILIP

Do you exist?

CAL smiles a Cheshire Cat smile, his tracks vanish and he vanishes.  Maybe the smile stays for a second.

PHILIP

My second mirage was more impressive.  Or was he my third?

PHILIP grabs a handful of weeds and reeds, tears them up and puts them in his mouth, adds water, chews for a while and swallows, looking where CAL was.

 

- DESERT                              NIGHT

BLACK

OMAR SHARIF.

Hey stupid Man.

PHILIP (v.o.)

Nope, "Cal" was just second.

P.O.V. PHILIP's eyes flickering open to show a night desert and an annoyed OMAR SHARIF.

OMAR SHARIF

Stupid Man wake up.

CUT TO:

PHILIP, eyes open, lying back from the spot where he was sitting all day.

OMAR SHARIF

I tell you go this way.  I come back, you're still here.

PHILIP

I've been seeing things.

OMAR SHARIF

Brain farts.  Get out of the desert, you don't belong here.

OMAR SHARIF takes out a small trail cake.

OMAR SHARIF

Eat this.  Now.

PHILIP, dazed, starts eating it slowly.

OMAR SHARIF

These things you see.  They come from your head.  Like dreams.  Lot of room up there, lot of things to see, but they come from up there, not from nowhere else.

PHILIP

I liked them.  I don't remember my dreams.

OMAR SHARIF

That's healthy.  You don't remember them is healthy.  You're sick, you remember them, that should tell you something. You're sicker, you see them when you're awake.  Now get off the desert.  It doesn't want you here; it doesn't want anything to do with you.  Go talk to people now, stop talking to yourself.

OMAR SHARIF helps PHILIP up.  PHILIP is unsteady, balancing with one hand, munching the cake in the other.

OMAR SHARIF

Start walking now.

OMAR SHARIF points north, gives PHILIP a guiding push.  PHILIP starts walking.

 

- DESERT                              NIGHT

PHILIP walking, stumbling, walking.

 

- DESERT HIGHWAY                    SUNRISE

PHILIP approaches his car on the side of the deserted Highway.  It is rusty and dusty.  He gets into the car and turns the ignition and it starts up with a roar.  He sits there for a second, then looks in the rearview mirror and gives himself a Cheshire Cat smile.  Then he pulls away and starts driving off to the west.

FADE TO BLACK.